Djävulens öga
17. 10. 1960 (1960-10-17)
ŠvedskaDjävulens öga (sh. Đavolje oko) je švedska fantastična filmska komedija snimljena 1960. godine u režiji Ingmara Bergmana. Radnja započinje u Paklu gdje je Satana (čiji lik tumači Jarl Kulle) toliko izmučen djevičanstvom vikarove kćeri (čiji lik tumači Bibi Andersson), da odlučuje na Zemlju poslati Don Juana (čiji lik tumači Stig Järrel) kako bi je pokušao zavesti.
Uloge
- Jarl Kulle ... Don Juan
- Bibi Andersson ... Britt-Marie
- Stig Järrel ... Satana
- Nils Poppe ... Vikar
- Gertrud Fridh ... Renata
- Sture Lagerwall ... Pablo
- Georg Funkquist ... Grof Armand de Rochefoucauld
- Gunnar Sjöberg ... Markiz Giuseppe Maria de Macopanza
- Gunnar Björnstrand ... Glumac
Izvori
Vanjske veze
- The Devil's Eye na sajtu IMDb
- The Devil's Eye na Svensk Filmdatabas
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Ingmar Bergman
Filmografija
- Crisis
- It Rains on Our Love
- A Ship Bound for India
- Music in Darkness
- Port of Call
- Prison
- Thirst
- To Joy
- This Can't Happen Here
- Summer Interlude
- Secrets of Women
- Summer with Monika
- Sawdust and Tinsel
- A Lesson in Love
- Dreams
- Smiles of a Summer Night
- The Seventh Seal
- Wild Strawberries
- Brink of Life
- The Magician
- The Virgin Spring
- The Devil's Eye
- Through a Glass Darkly
- Winter Light
- The Silence
- All These Women
- Persona
- Hour of the Wolf
- Shame
- The Rite
- The Passion of Anna
- The Touch
- Cries and Whispers
- Scenes from a Marriage
- The Magic Flute
- Face to Face
- The Serpent's Egg
- Autumn Sonata
- From the Life of the Marionettes
- Fanny and Alexander
- After the Rehearsal
- The Blessed Ones
- In the Presence of a Clown
- Saraband
- Torment
- Woman Without a Face
- Eva
- While the City Sleeps
- Divorced
- Last Pair Out
- The Pleasure Garden
- The Best Intentions
- Sunday's Children
- Private Confessions
- Faithless
- The Making of Fanny and Alexander
- "Daniel" (segment u Stimulantia)
- Karin's Face
- Mr. Sleeman Is Coming
- The Venetian
- Rabies
- The Image Makers
- Bergman Week
- Ingmar Bergman Makes a Movie
- The Dove
- The Seduction of Ingmar Bergman
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