Saint Justa and Saint Rufina
Saint Justa and Saint Rufina is an oil on canvas painting by Bartolomé Esteban Murillo, created c. 1666, now held in the Museum of Fine Arts of Seville.
Saint Justa and Saint Rufina is one of the paintings made to decorate the church of the Capuchin Convent in Seville. The Seville Cathedral had suffered much damage during earthquakes over the centuries, and there was a popular belief at the time that intercession to the sister saints Justa and Rufina saved the Giralda, the cathedral's bell-tower, which was formerly a mosque minaret, during the 1504 earthquake. The sisters are depicted holding a model of the Giralda in the painting, and are the patron saints of the cathedral. Attributes such as the martyr's palm and clay pots lay on the ground, as they were daughters of a potter.
A copy of the work is in Pollok House in Glasgow,[1] whilst another pair of works by the artist also showing these two saints previously in the Meadows Museum was proven in 2016 to have been stolen from a Jewish family in Paris by the Nazis.[2]
References
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- San Vicente (c. 1640–1650)
- La Colasal (1645–1655)
- Esquilache (1645–1655)
- El Escorial (1660–1665)
- Museo Soumaya (c. 1670)
- Aranjuez (c. 1675)
- Los Venerables (c. 1678)
- Walpole (c. 1680)
- The Vision of Fray Lauterio (c. 1640)
- Joseph and Potiphar's Wife (1640–1645)
- Saint Francis of Assisi at Prayer (c. 1645–1650)
- The Angels' Kitchen (1646)
- The Flight into Egypt (1647–1650)
- Adoration of the Shepherds (Madrid; c. 1650)
- The Holy Family with a Little Bird (1650)
- Our Lady of the Rosary (1650–1655)
- Saint Roderick (c. 1650–1655)
- Rebecca and Eleazar (1652)
- The Vision of Saint Anthony of Padua (1656)
- The Good Shepherd (c. 1660)
- The Birth of the Virgin (1661)
- Christ after the Flagellation (Boston; c. 1665)
- Rest on the Flight into Egypt (c. 1665)
- The Apparition of the Virgin to Saint Bernard (c. 1665)
- Mater Dolorosa (1665)
- The Patrician's Dream (1665)
- Saint Anthony with the Christ Child (1665–1666, 1668–1669)
- Liberation of Peter (1665–1667)
- Isaac Blessing Jacob (1665–1670)
- Saint Justa and Saint Rufina (c. 1666)
- Madonna and Child of the Napkin (c. 1666)
- Christ Healing the Paralytic at the Pool of Bethesda (c. 1667–1670)
- Christ on the Cross (San Diego; c. 1667–1670)
- The Return of the Prodigal Son (c. 1667–1670)
- The Miracle of the Loaves and Fishes (Edinburgh; c. 1667–1682)
- Adoration of the Shepherds (London; c. 1668)
- Saint Thomas of Villanova Giving Alms (c. 1668)
- Saint Francis Embracing Christ on the Cross (1668–1669)
- Holy Family with the Infant Saint John the Baptist (c. 1668–1670)
- The Miracle of the Loaves and Fishes (Seville; c. 1669–1674)
- Moses at the Rock of Horeb (c. 1669–1674)
- Christ after the Flagellation (Champaign; c. 1670)
- Abraham and the Three Angels (c. 1670–1674)
- The Christ Child and the Infant John the Baptist with a Shell (1670–1675)
- Saint Elizabeth of Hungary Curing the Sick (1672)
- Saint John of God Carrying a Sick Man (1672)
- Ecce Homo (c. 1672–1678)
- Christ on the Cross (New York; c. 1675)
- The Martyrdom of Saint Andrew (1675–1682)
- Christ on the Cross (Madrid; c. 1675)
- Saint Thomas of Villanova Healing a Lame Man (c. 1675)
- The Conversion of Saint Paul (c. 1675–1680)
- Christ on the Cross (Madrid; c. 1677)
- The Christ Child Distributing Bread to Pilgrims (1678)
- The Heavenly and Earthly Trinities (c. 1680)
- The Young Beggar (1645–1650)
- Children Eating Grapes and a Melon (1645–1650)
- Four Figures on a Step (c. 1655–1660)
- Boy with a Dog (1655–1660)
- Two Women at a Window (1665–1675)
- The Little Fruitseller (c. 1670–1675)
- Children Eating a Tart (1670–1675)
- The Flower Girl (c. 1675–1680)
- Portrait of Diego Ortiz de Zúñiga (c. 1653)
- Portrait of Íñigo Melchor Fernandez de Velasco (1658–1659)
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