Nakahara Nantenbō

You can help expand this article with text translated from the corresponding article in Japanese. (June 2020) Click [show] for important translation instructions.
  • View a machine-translated version of the Japanese article.
  • Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
  • Consider adding a topic to this template: there are already 3,679 articles in the main category, and specifying|topic= will aid in categorization.
  • Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
  • You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Japanese Wikipedia article at [[:ja:中原トウ州]]; see its history for attribution.
  • You may also add the template {{Translated|ja|中原トウ州}} to the talk page.
  • For more guidance, see Wikipedia:Translation.
Nakahara Nantenbō
中原 南天棒
Born(1839-04-03)April 3, 1839
DiedFebruary 12, 1925(1925-02-12) (aged 85)
Painting and calligraphy on silk signed “Hachijūgo (85-year-old) Nantembō Tōjū”, 1923

Nakahara Nantenbō (中原 南天棒, April 3, 1839 – February 12, 1925), also known as Tōjū Zenchū , Tōshū Zenchū 鄧州全忠, and as Nantenbō Tōjū, was a Japanese Zen Master. In his time known as a fiery reformer[clarification needed], he was also a prolific and accomplished artist. He produced many fine examples of Zen Art and helped bridge the gap between older forms of Zen Buddhist art and its continuation in the 20th century.

See also

References

  • Mohr, Michel. 1996. Monastic Tradition and Lay Practice from the Perspective of Nantenbō: A Response of Japanese Zen Buddhism to Modernity. Zen Buddhism Today 12, 63–89.
  • Mohr, Michel. 1998. Japanese Zen Schools and the Transition to Meiji: A Plurality of Responses in the Nineteenth Century. Japanese Journal of Religious Studies: Special Issue on Meiji Zen 25, no. 1–2: 167–213.

External links

  • Nakahara Nantenbō, by Matthew Welch in The Art of Twentieth-Century Zen, Paintings and Calligraphy by Japanese Masters Eds. Audrey Yoshiko Seo with Stephen Addiss. (c) 1988
  • 中原南天棒, Kotobank (in Japanese)
  • v
  • t
  • e
Topics in Buddhism
Foundations
  • Four Noble Truths
  • Three Jewels
    • Buddha
    • Dharma
    • Sangha
  • Noble Eightfold Path
  • Nirvana
  • Middle Way
The Buddha
BodhisattvasDisciplesKey conceptsCosmologyBranchesPracticesNirvanaMonasticismMajor figuresTextsCountriesHistoryPhilosophyCultureMiscellaneousComparisonLists
  • Category
  • icon Religion portal


Authority control databases Edit this at Wikidata
International
  • FAST
  • ISNI
  • VIAF
    • 2
  • WorldCat
National
  • United States
  • Japan
  • Netherlands
Academics
  • CiNii
Artists
  • Victoria
  • ULAN
Stub icon

This article about a member of the Buddhist clergy is a stub. You can help Wikipedia by expanding it.

  • v
  • t
  • e
Stub icon

This biography of a Japanese religious figure is a stub. You can help Wikipedia by expanding it.

  • v
  • t
  • e
Stub icon

This Zen biography-related article is a stub. You can help Wikipedia by expanding it.

  • v
  • t
  • e
Stub icon

This Japanese artist–related article is a stub. You can help Wikipedia by expanding it.

  • v
  • t
  • e