God is our refuge

God is our refuge
Motet by W. A. Mozart
Manuscript in the British Library[1]
CatalogueK. 20
TextPsalm 46
LanguageEnglish
Composed1765 (1765): London
Scoringfour voices SATB

God is our refuge, K. 20, is a motet for four voices in G minor by Wolfgang Amadeus Mozart. Based on Psalm 46, it was composed in July 1765 during Mozarts' stay in London on the Mozart family grand tour as a gift for the British Museum along with one other supposed work: a set of variations in A major, K. 21a.

Sir: I am ordered by the Standing Committee of the Trustees of the British Museum, to signify to You, that they have received the present of the musical performances of your very ingenious Son which you were pleased lately to make them, and to return You their Thanks for the same."

— A brief note from a secretary at the British Museum, [2]

Score

The 23-bar work is scored for four voices: soprano, alto, tenor and bass, and is written in 3
2
time.

Lyrics

God is our refuge,
our refuge and strength,
a very present help in trouble,
a present help in trouble.

Influence

As the manuscript for this work is still intact, one can find two separate, distinct handwritings: Wolfgang's, and his father's Leopold. It can be seen that Wolfgang most likely wrote the tempo markings, key signatures and clefs, as well as all of the notes. Leopold was suspected to have a hand in the written words after bar seven, as the young Wolfgang seemingly had trouble judging the amount of space necessary to fit in the written text (as can be seen by the wave pattern of the bar lines near measure 7).[2]

The work was possibly based on a given melody at the time of composition; perhaps stemming from a composition written in 1765 of similar character by Jonathan Battishill. God is our refuge shows many stylistic similarities to that of 16th century English church music, which Mozart was undoubtedly exposed to whilst traveling London at the time.[3]

References

  1. ^ Manuscript, British Library
  2. ^ a b Abert, Hermann; Stewart Spencer; Cliff Eisen. W. A. Mozart, (New Haven, Connecticut, Yale University Press, 2007), pp. 44–45. ISBN 9780300072235
  3. ^ Zaslaw, Neal. The Compleat Mozart: A Guide to the Musical Works of Wolfgang Amadeus Mozart. New York: Mozart Bicentennial at Lincoln Center: 1990. p. 22

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Masses and Requiem
  • G major, K. 49/47d
  • Waisenhausmesse C minor, K. 139/47a
  • D minor, K. 65/61a
  • Dominicusmesse C major, K. 66
  • Missa in honorem Sanctissimae Trinitatis C major, K. 167
  • Kleine Credo Messe F major, K. 192/186f
  • D major, K. 194/186h
  • Sparrow Mass C major, K. 220/196b
  • Missa longa C major, K. 262/246a
  • Credo Mass C major, K. 257
  • Piccolomini Mass or Spaur Mass C major, K. 258
  • Orgelsolomesse C major, K. 259
  • B-flat major, K. 275/272b
  • Coronation Mass C major, K. 317
  • Missa Solemnis C major, K. 337
  • Great Mass C minor, K. 427/417a
  • Requiem, K. 626
Other Mass-related
Uncertain Mass
  • Pastoral Mass G major, K. 140/235d/Anh. C1.12
Spurious Masses
  • Twelfth Mass (attributed to W. Müller)
  • Così fan tutte pasticcio Coronation Mass
Motets
  • God is our refuge, K. 20
  • Exsultate, jubilate, K. 165
  • Ave verum corpus, K. 618
Vespers
  • Vesperae solennes de Dominica, K. 321
  • Vesperae solennes de confessore, K. 339
Litanies
  • Litanies (Mozart): K. 109, K. 125, K. 195, K. 243
Choral works
  • Veni Sancte Spiritus, K. 47
  • Regina coeli, K. 74d
  • Regina coeli, K. 127
  • Regina coeli, K. 276
SingspielOratorioCantata
  • geistliches Singspiel Die Schuldigkeit des ersten Gebots, K. 35
  • oratorio Betulia liberata, K. 118/74c
  • cantata Davide penitente, K. 469
Handel adaptations
  • Acis und Galatea, K. 566
  • Der Messias, K. 572
  • Das Alexander-Fest, K. 591
  • Ode auf St. Caecilia, K. 592
Masonic ceremonial music
  • Maurerische Trauermusik, K. 477/479a
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