Fugue in G minor, BWV 578
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Fugue in G minor, BWV 578, (popularly known as the Little Fugue), is a piece of organ music written by Johann Sebastian Bach during his years at Arnstadt (1703–1707). It is one of Bach's best known fugues and has been arranged for other voices, including an orchestral version by Leopold Stokowski.[1]
Early editors of Bach's work attached the title of "Little Fugue" to distinguish it from the later Great Fantasia and Fugue in G minor, BWV 542, which is longer in duration and more challenging to play.
Score
The fugue's four-and-a-half measure subject in G minor is one of Bach's most recognizable tunes. The fugue is in four voices. During the episodes, Bach uses one of Arcangelo Corelli's most famous techniques: imitation between two voices on an eighth note upbeat figure that first leaps up a fourth and then falls back down one step at a time.[2]
In other music
Swedish heavy metal band Sabaton uses the beginning of the piece in the song "The Red Baron" from their album The Great War. The piece is transposed to C minor, and the first voice is lowered an octave relative to the second voice. The Carolina Crown Drum and Bugle Corps also included sections of the piece in the opener of their 2017 program "It Is".
References
External links
- Fugue in G minor, BWV 578: Scores at the International Music Score Library Project
- Free download of BWV 578, recorded by James Kibbie on the 1755 Gottfried Silbermann/Zacharias Hildebrandt organ in the Katholische Hofkirche, Dresden, Germany
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- Fugue in G minor, BWV 131a (doubtful)
- Sonatas, BWV 525–530
- Prelude and Fugue in C major, BWV 531
- Prelude and Fugue in D major, BWV 532
- Fantasia and Fugue in C minor, BWV 537
- Toccata and Fugue in D minor ("Dorian"), BWV 538
- Toccata and Fugue in F major, BWV 540
- Fantasia and Fugue in G minor ("Great"), BWV 542
- Prelude and Fugue in A minor, BWV 543
- Prelude and Fugue in B minor, BWV 544
- Prelude and Fugue in C minor, BWV 546
- Prelude and Fugue in E minor ("Wedge"), BWV 548
- Eight Short Preludes and Fugues, BWV 553–560 (doubtful)
- Fantasia and Fugue in C minor, BWV 562
- Toccata, Adagio and Fugue in C major, BWV 564
- Toccata and Fugue in D minor, BWV 565 (doubtful)
- Prelude (Toccata) and Fugue in E major, BWV 566
- Fantasia ("Pièce d'Orgue") in G major, BWV 572
- Fugue in G minor ("Little"), BWV 578
- Passacaglia and Fugue in C minor, BWV 582
- Concertos, BWV 592–597
- Orgelbüchlein, BWV 599–644
- Schübler Chorales, BWV 645–650
- Great Eighteen Chorale Preludes, BWV 651–668
- Chorale partita Sei gegrüßet, Jesu gütig, BWV 768
- Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769
- Neumeister chorales, BWV 1090–1120
- Chorale fantasia Wo Gott der Herr nicht bei uns hält, BWV 1128
- Aria variata alla maniera italiana
- Capriccio on the departure of a beloved brother
- Chromatic Fantasia and Fugue
- Harpsichord solo concertos
- English Suites
- Fantasia and Fugue in C minor, BWV 906
- French Suites
- Goldberg Variations
- discography
- Gould recording
- Inventions and Sinfonias
- Italian Concerto
- Overture in the French style
- Partitas, BWV 825–830
- Six Little Preludes, BWV 933–938
- The Well-Tempered Clavier, BWV 846–893
- I: C, BWV 846
- c, BWV 847
- C♯, BWV 848
- c♯, BWV 849
- e, BWV 855
- g, BWV 861
- B♭, BWV 866
- b♭, BWV 867
- II: C, BWV 870
- c, BWV 871
- c♯, BWV 873
- D, BWV 874
- d, BWV 875
- f, BWV 881
- g♯, BWV 887
- b♭, BWV 891
- b, BWV 893
- Toccatas, BWV 910–916
- Suite in G minor, BWV 995
- Suite in E minor, BWV 996
- Suite in C minor, BWV 997
- Prelude, Fugue and Allegro in E♭ major, BWV 998
- Prelude in C minor, BWV 999
- Fugue in G minor, BWV 1000
collections
- Clavier-Übung III: Prelude and Fugue in E♭ major ("St. Anne"), BWV 552, Chorale preludes, BWV 669–689, Duets, BWV 802–805
- Concerto transcriptions, BWV 592–596 and 972–987
- Klavierbüchlein W. F. Bach
- Notebook A. M. Bach
- Twelve Little Preludes