Daniel Mandell
Daniel Mandell | |
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Born | (1895-08-13)August 13, 1895 New York City, New York, U.S. |
Died | June 8, 1987(1987-06-08) (aged 91) Huntington Beach, California, U.S. |
Occupation | Film editor |
Years active | 1922–1966 |
Daniel Mandell (August 13, 1895 – June 8, 1987) was an American film editor with more than 70 film credits.[1][2][3] His first editing credit was for The Turmoil in 1924. From Dodsworth (1936) to Porgy and Bess (1959), Mandell worked for Samuel Goldwyn Productions. He had notable collaborations with directors William Wyler (1933–1946) and Billy Wilder (1957–1966). Mandell's last credit was for The Fortune Cookie in 1966.
Mandell won the Academy Award for Best Film Editing for The Pride of the Yankees (1942; directed by Sam Wood), The Best Years of Our Lives (1946; directed by William Wyler), and The Apartment (1960; directed by Billy Wilder). No editor has won more than three Academy Awards, and only three others have won three times: Ralph Dawson, Michael Kahn, and Thelma Schoonmaker.[4] Mandell was nominated for the Academy Award for two additional films, The Little Foxes (1941; directed by William Wyler) and Witness for the Prosecution (1957; directed by Billy Wilder).
Additional credits include Holiday (1930), Counsellor at Law (1933), Dodsworth (1936), Wuthering Heights (1939), Meet John Doe (1941), The North Star (1943), Enchantment (1948), Roseanna McCoy (1949), Guys and Dolls (1955), and Kiss Me, Stupid (1964).
See also
References
- ^ "Daniel Mandell, Won 3 Film Editing Oscars". The New York Times. June 13, 1987. This article incorrectly indicates that Mandell was nominated for an Academy Award for Wuthering Heights (1939).
- ^ Birth and death information checked at the Social Security Death Index, where it is listed as unverified.
- ^ See Daniel Mandell at IMDb for list of film credits.
- ^ "Film Editing Facts". Academy of Motion Picture Arts & Sciences. March 2010. Archived from the original on 2009-10-19. Retrieved 2010-07-18.
External links
- Daniel Mandell at IMDb
Further reading
- Hanson, Patricia King (2000). "Daniel Mandell". In Pendergast, Tom; Pendergast, Sara (eds.). International Dictionary of Film and Filmmakers (4 ed.). St. James Press. ISBN 978-1-55862-449-8. OCLC 44818539.
His second Oscar, again for Goldwyn, was for the magnificent work he did on The Best Years of Our Lives. Although the film was an almost actionless drama, the superb editing of the climactic sequence at the deserted airfield was an outstanding achievement. It still stands up well against the more modern, technologically advanced work of films like the Terminator series, in which technique dominates artistry.
- Armstrong, Richard (2004). Billy Wilder, American Film Realist. McFarland. p. 100. ISBN 9780786421190.
Daniel Mandell's editing [of The Apartment] reinforces Wilder's critique and even appears to reinstall a sense of continuity into lives reduces to moments of material and sexual gratification.
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- Conrad A. Nervig (1934)
- Ralph Dawson (1935)
- Ralph Dawson (1936)
- Gene Havlick and Gene Milford (1937)
- Ralph Dawson (1938)
- Hal C. Kern and James E. Newcom (1939)
- Anne Bauchens (1940)
- William Holmes (1941)
- Daniel Mandell (1942)
- George Amy (1943)
- Barbara McLean (1944)
- Robert J. Kern (1945)
- Daniel Mandell (1946)
- Francis Lyon and Robert Parrish (1947)
- Paul Weatherwax (1948)
- Harry W. Gerstad (1949)
- Ralph E. Winters and Conrad A. Nervig (1950)
- William Hornbeck (1951)
- Elmo Williams and Harry W. Gerstad (1952)
- William Lyon (1953)
- Gene Milford (1954)
- Charles Nelson and William Lyon (1955)
- Gene Ruggiero and Paul Weatherwax (1956)
- Peter Taylor (1957)
- Adrienne Fazan (1958)
- Ralph E. Winters and John D. Dunning (1959)
- Daniel Mandell (1960)
- Thomas Stanford (1961)
- Anne V. Coates (1962)
- Harold F. Kress (1963)
- Cotton Warburton (1964)
- William Reynolds (1965)
- Fredric Steinkamp, Henry Berman, Stewart Linder and Frank Santillo (1966)
- Hal Ashby (1967)
- Frank P. Keller (1968)
- Françoise Bonnot (1969)
- Hugh S. Fowler (1970)
- Gerald B. Greenberg (1971)
- David Bretherton (1972)
- William Reynolds (1973)
- Harold F. Kress and Carl Kress (1974)
- Verna Fields (1975)
- Richard Halsey and Scott Conrad (1976)
- Paul Hirsch, Marcia Lucas, and Richard Chew (1977)
- Peter Zinner (1978)
- Alan Heim (1979)
- Thelma Schoonmaker (1980)
- Michael Kahn (1981)
- John Bloom (1982)
- Glenn Farr, Lisa Fruchtman, Tom Rolf, Stephen A. Rotter, and Douglas Stewart (1983)
- Jim Clark (1984)
- Thom Noble (1985)
- Claire Simpson (1986)
- Gabriella Cristiani (1987)
- Arthur Schmidt (1988)
- David Brenner and Joe Hutshing (1989)
- Neil Travis (1990)
- Joe Hutshing and Pietro Scalia (1991)
- Joel Cox (1992)
- Michael Kahn (1993)
- Arthur Schmidt (1994)
- Mike Hill and Daniel P. Hanley (1995)
- Walter Murch (1996)
- Conrad Buff IV, James Cameron, and Richard A. Harris (1997)
- Michael Kahn (1998)
- Zach Staenberg (1999)
- Stephen Mirrione (2000)
- Pietro Scalia (2001)
- Martin Walsh (2002)
- Jamie Selkirk (2003)
- Thelma Schoonmaker (2004)
- Hughes Winborne (2005)
- Thelma Schoonmaker (2006)
- Christopher Rouse (2007)
- Chris Dickens (2008)
- Chris Innis and Bob Murawski (2009)
- Angus Wall and Kirk Baxter (2010)
- Angus Wall and Kirk Baxter (2011)
- William Goldenberg (2012)
- Alfonso Cuarón and Mark Sanger (2013)
- Tom Cross (2014)
- Margaret Sixel (2015)
- John Gilbert (2016)
- Lee Smith (2017)
- John Ottman (2018)
- Andrew Buckland and Michael McCusker (2019)
- Mikkel E. G. Nielsen (2020)
- Joe Walker (2021)
- Paul Rogers (2022)
- Jennifer Lame (2023)
- Best Film Editing became Best Editing in 1999
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