Cantes a palo seco
The Spanish term Cantes a palo seco refers to a category of flamenco palos (musical forms) traditionally sung a cappella or, in some cases, with some sort of percussion.[1] The category comprises the following palos:
In fact, almost any palo can be sung unaccompanied, especially in private juergas (parties), where there is often no guitarist available. Even in professional settings, some palos which are normally accompanied by the guitar, like seguiriya, bulerías, or even soleá, are sometimes heard 'a palo seco'.
References
- ^ Tenzer, M. (2006). Analytical Studies in World Music. Oxford University Press. p. 109. ISBN 978-0-19-803958-7. Retrieved 30 March 2019.
- ^ Yglesias, M. El toque flamenco (in Spanish). Barry Editorial. p. 10. ISBN 978-950-540-018-8. Retrieved 30 March 2019.
- ^ Ruiz, L.L. (2018). Guía del flamenco: 5ª Edición corregida y aumentada. Básica de Bolsillo (in Spanish). Ediciones Akal. p. 22. ISBN 978-84-460-4706-3. Retrieved 30 March 2019.
- ^ Lavernia, J.G. (1991). El libro del cante flamenco. Libros de musica (in Spanish). Rialp. p. 57. ISBN 978-84-321-2697-0. Retrieved 30 March 2019.
- v
- t
- e
Palos in flamenco
- debla
- carceleras
- trilla
- saetas
- martinetes
- tonás
- soleá
- soleá por bulerías
- cantiñas (including alegrías, romeras, caracoles, mirabrás and other cantiñas)
- bulerías
- caña
- polo
- seguiriya
- cabales
- serrana
- livianas
- toná liviana
- verdiales
- jaberas
- rondeñas
- fandangos de lucena
- malagueñas
- tarantas
- cartageneras
- cantes de madrugá
- minera
- murciana
- levantica
- granaína
- guajiras
- vidalitas
- milongas
- and colombianas
- sevillanas
- nanas ("lullabies")
- bambera
- zambras
- zorongo
- campanilleros
- peteneras
| |||||||
|---|---|---|---|---|---|---|---|
| Styles |
|  | |||||
| Music by region | |||||||
| Music by genre | |||||||
| Music festivals | |||||||
| Musical instruments |
| ||||||
| Music ensembles | |||||||
 | This article about a music genre is a stub. You can help Wikipedia by expanding it. |
- v
- t
- e
